REUBEN CLAY
This time we get the appeal of a prolific auteur.
BASIL SWARTZFAGER
This time we revisit the first movie Basil ever saw in a movie theater.
BASIL SWARTZFAGER
This time we don’t make the historical analogies you might prefer.
BASIL SWARTZFAGER
This time we write one of the only big-budget avant-garde movie reviews.
BASIL SWARTZFAGER
This time we compare two movies with some specious connections.
BASIL SWARTZFAGER
This time we think three hours isn’t nearly a long enough run time.
BASIL SWARTZFAGER
This time we travel back in time to undo all the bad reviews we wrote before.
BASIL SWARTZFAGER
This time we buck the consensus by arguing the end of this review is actually the best part.
BASIL SWARTZFAGER
This time we aren’t the same people we were nine years ago, when we first we started writing this review.
BASIL SWARTZFAGER
This time we reflect on the depressing life of Nicholas Brendon.
BASIL SWARTZFAGER
This time, for the first time, we don’t like a very popular movie.
BASIL SWARTZFAGER
This time typing technology goes awry and this dastardly review must be stopped.
BASIL SWARTZFAGER
This time we have never written an unmediated film review before.
REUBEN CLAY
This time we write this review as penance for an earlier review.